![]() It's at this point, when the sisters are parted, that the film really takes flight. When Rose travels for work, Maggie messes up good and Rose throws her out. At first the reunited sisters enjoy each other's company, but when Rose begins nudging her towards employment, Maggie turns sour. It's clear this has happened before, as has Maggie' stealing - Rose finds her sister is wearing her shoes (Rose's one indulgence because unlike clothes, shoes will always fit). ![]() Rose, so thrilled to have a man in her bed she clandestinely takes a picture, gets the late night call to pick up her passed-out sister. ![]() ![]() Maggie is stumbling through a bathroom stall tryst at her high school reunion when her vomiting turns off her pickup (Anson Mount, "Tully"). Hanson achieves three very well modulated performances from his three leads and added zip from a wide range of supporting players in this very handsome production. Confidential") to the literary comedy ("Wonder Boys"), he moves to Chick Lit and turns it into an entertainment with true human emotion and only a few minor concessions to Hollywood gloss. ![]() After tackling genres from the psychological thriller ("The Hand That Rocks the Cradle") to the period policier ("L.A. Director Curtis Hanson ("8 Mile") is proving himself amazingly adept. ![]()
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